"...This guitar suite by Martin, titled "Quatre pieces breves," takes full advantage of the unique sonority of the instrument, allowing the player to pierce individual notes through space with crystalline accuracy.  Connie Sheu was particularly good at this type of accenture and did an excellent job of framing the more bizarre notes meant by the composer to shock. Ms. Sheu intoned the third piece, titled "Plainte," in a ruminative and searching manner,and her measured interpretation of the final "Comme une gigue" was scholarly."

-Fred Kirshnit, New York Sun, April 14, 2006

Suzuki World, March-April, 1987                                           Classical Guitar Magazine, October 2009